Apple has had two months to refine Liquid Glass since introducing the design language at WWDC. It’s dialed the effect back, then amped it back up. It’s addressed some of the biggest complaints — the Control Center, for one — and left us to live with some of the others. So after all the tweaks, how is everyone feeling about it?
This week on The Vergecast, Victoria Song and Antonio G. Di Benedetto join me to discuss Liquid Glass and all of Apple’s other software updates now that you can finally test them out in the public betas for iOS 26, iPadOS 26, and more. Antonio runs through his experience with the Mac’s upgraded Spotlight and new Phone app, while Victoria discusses her time with the Watch’s new features, including the AI-powered Workout Buddy and some handy gestures.
After the break, Andrew J. Hawkins and Eater’s Matthew Kang join us to discuss Tesla’s wild week, from its flailing financials to launching a new diner-slash-charging station in LA. Andrew breaks down how Tesla is falling apart as a result of Musk’s political activities. Then Matthew tells us about his experience at the diner, from trying the $12 “Epic Bacon” to trying to use its eco-friendly utensils.
Finally, the Thunder Round is back. We’re talking Faraday’s very questionable new minivan, Amazon’s very questionable AI acquisition, Uber’s very smart safety update, and Apple’s very thirsty new subscription service. Then we all learn the horrors that go into snagging a Labubu.
If you want to learn more about anything we discussed, check out the stories below.
I’ve probably written a thousand stories for this website about our favorite apps adding new features, so it’s a fun change of pace to be writing one about ourselves doing the same thing. Today, The Verge is adding some exciting new features that will let you personalize exactly how you read the site. You’ll be able to follow individual topics and authors, then read them in a custom homepage feed and through a daily email digest that’s specific to you.
On the front page, you’ll now see a toggle that says “Following” at the top of our news feed. Click it, and you’ll be able to start choosing the topics you want to populate your own custom feed. You’ll also see “+” buttons around the website, which let you add new authors and topics as you come across them. You’ll need to sign up for a Verge account to access the features, but they’re all available for free — subscribers and non-subscribers alike.
You’ll notice this feels a lot like the way an RSS feed or a social network works. That’s very much by design. Everything is a feed now, and everything is customizable. We think our site should work the same way. What you’re seeing today is the first step toward adding deeper personalization features across The Verge, and we will keep building on this foundation in the months ahead.
We’re also launching one more way for people to read The Verge: a daily newsletter. It’s called The Verge Daily, and it’ll deliver a bunch of our top headlines to your inbox every weekday at 7AM ET. It’ll be curated by our editorial team every day and allow you to read the biggest stories of the past 24 hours right from your email. Our first edition goes out tomorrow, and we’d love it if you signed up. The newsletter is going to be free to everyone. (But a note for our subscribers: stay tuned… there’s more to come.)
This is a big launch for us, and I hope you all like what we’ve been working on. But stick around — there’s a lot more we want to build.
]]>Would you like Siri more if it had a face? Ever since Elon Musk added a weird anime girlfriend to Grok, I’ve been wondering if there’s a not-so-distant future where all of our AI assistants are much more clearly personified. Grok makes it feel deeply uncomfortable, but I’m not so sure it has to be that way; we’re basically just talking about Cortana.
This week on The Vergecast, we’re talking all about AI, how powerful it can be in the home, and the uncomfortable feelings were getting talking to these new, more capable assistants. The Verge’s Jennifer Pattison Tuohy joins the show to talk about her early tests of Alexa Plus, which is finally AI-powered and much more conversant as a result. Then, we talk about Grok’s new AI waifu feature, which got mad at me for being married.
We also have a special guest this week: Waveform cohost David Imel, who joins the show to talk Sony’s surprise drop of the RX1R III, a $5,099.99 full-frame compact camera that people have been waiting a decade for. It’s incredibly small for the power it offers, but it makes some very strange trade-offs along the way. Finally, the Thunder Round is back, sounds effects and all. Get ready.
If you want to know more about the stories we talked about on the show, you can check out the links below.
It’s always felt to me like there’s a threshold foldables need to hit before they can truly become mainstream: they need to be no bigger than a regular old phone. And now Samsung has finally gotten its flagship there with the Z Fold 7, which is just barely thicker than an iPhone 16 Pro. I got to see one in the office this week, and I couldn’t take my eyes off of it. It really does feel different.
This week on The Vergecast, Vee Song and Allison Johnson join me to talk all about Samsung’s new foldables and smartwatches. Then, we dive into corporate shake-ups across the tech world. One of Tim Cook’s possible successors is on his way out, Mark Zuckerberg is buying Meta a new AI team, X’s CEO has departed (and, remind me, did anything notable happen with Grok this week?).
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And finally, some big news about the Lightning Round: I’ve had enough of it. Instead, we’ve got something bold, something new, something altogether original and unheard of: the Thunder Round. And yes, we have sound effects. Lots to discuss: AI web browsers, Lorde’s see-through CD, and HBO Max finally does the thing we’ve all been waiting for.
If you want to know more about the stories we discuss in the episode, you can check out a whole bunch of our coverage below:
The US Department of Justice notched an initial win in its antitrust case against Apple today, with a federal judge rejecting Apple’s attempt to dismiss the lawsuit outright. The government’s allegations are “sufficient to demonstrate Apple’s specific intent to monopolize the smartphone and performance smartphone market,“ Judge Julien Neals wrote in an opinion on Monday.
Apple filed to dismiss the government’s lawsuit in August 2024, arguing that the Justice Department failed to show that Apple monopolized the smartphone market or acted in an anticompetitive manner. The lawsuit was based on the “outlandish” premise that Apple’s success comes from “intentional degradation of iPhone to block purported competitive threats,” the company wrote.
The case’s progress is still early, and the judge isn’t ruling on any of the government’s claims just yet. But he is saying that the allegations are “sufficient” to support the claims that Apple acted in an anticompetitive manner.
“We believe this lawsuit is wrong on the facts and the law, and we will continue to vigorously fight it in court,” Apple spokesperson Marni Goldberg wrote in a statement sent to The Verge.
The government’s win here wasn’t necessarily a given. When the Federal Trade Commission sued Meta (then Facebook) for anticompetitive practices in the social media space, the judge initially dismissed its claims and forced it to refile before the case was allowed to proceed.
The DOJ lawsuit against Apple claims that the company monopolizes the smartphone market by limiting the functionality of would-be competitive products, from apps to accessories. Jonathan Kanter, then DOJ Antitrust Division chief, said at the time that Apple used “contractual rules and restrictions” to raise prices on consumers and developers and “throttle competitive alternatives from rival technologies.”
]]>AI tools are flooding the culture ecosystem — and no corner of the arts space is immune. In this series, we’re looking at the ways artists are embracing AI, pushing back on it, or trying their best to find an equilibrium with a new technology that’s both sweeping and destabilizing. We talk to perfumers questioning the looming automation of scent creation, fanfic writers pushing back on archive scrapers, and illustrators replacing the AI that once replaced them. The tech isn’t going away. Here’s how artists are starting to deal with it.
Trump Mobile launched this morning with a single prepaid wireless plan and the promise of nationwide coverage for $47.45 per month.
For that price, you get unlimited talk and texting, international calling, plus 20GB of “high-speed” cell and hotspot data, which a customer support representative told me is 5G.
But while the plan’s price might have been selected to appeal to Trump fans (he is the 47th president and was also 45th president), it was certainly not selected to compete aggressively on price.
For a prepaid phone service, Trump Mobile is a bad deal.
There are cheaper plans than this if you look, basically, anywhere
Prepaid plans are usually designed to offer a mix of affordability and flexibility — most of them let you pay or cancel month to month. They usually include fewer perks than post-paid phone plans, but you can generally get a better price.
The major carriers all do better if you go straight to their own prepaid brands. For $40 per month, you can get unlimited 5G service from Verizon’s prepaid carrier, Visible, from AT&T’s prepaid carrier, Cricket, and from T-Mobile’s prepaid carrier, Metro. Visible also includes smartwatch coverage at that price.
Go beyond the big carriers, and you’ll get even better pricing. Google Fi will give you 30GB of 5G data for $35/month. Walmart Family Mobile offers 20GB of 5G for $33.88 per month. Boost Mobile offers 30GB of 5G for $25/month. And Tello offers unlimited data for $25 per month.
Even if you’re limiting yourself to patriotically branded cell companies, you can do better. US Mobile offers unlimited 5G for $35 per month. And while US Cellular’s $40/month plan only has 15GB of high-speed data, it also has an additional 15GB of hotspot data.
The plan includes phone protection from an auto service company
Of course, every phone plan comes with caveats and loopholes. There’s a reason the pricing here is so variable. Some networks may be more aggressive about throttling your data. Others come with restrictions on hotspots. Some have better coverage maps.
Trump Mobile’s inflated price is bolstered by some unique perks. It includes roadside assistance through Drive America Motor Club with a $100 credit toward towing. It also includes device protection through Omega Mobile Care. This could be a good value, but with service plans like these, what matters is how well they actually work in practice. And it’s hard to ascertain how reliable Omega Mobile Care is when it only seems to exist on the Trump Mobile website. (Omega seems to primarily provide auto service; it is also listed as a “partner” of Drive America.)
The market for cellphone service is confusing. The biggest carriers all offer multiple tiers of plans, multiple ways to pay, and different services through subsidiary brands. Meanwhile, smaller providers — known as MVNOs — that operate off the major networks have become so common and easy to create that the SmartLess podcast just launched their own mobile plan. (They charge $30/month.)
That’s what allows a carrier like Trump Mobile to exist. They don’t have to deploy a network or worry about offering great service — they just have to brand it well.
]]>Apple will have to continue allowing web links and external payment options in the App Store after its request to halt a judge’s order was rejected today by a higher court.
In April, a federal judge demanded that Apple begin allowing web links, cease restricting how links are formatted, and enable developers to offer external payment options without giving the company a cut of their revenue. Apple promptly appealed and requested that the order be put on hold until the legal proceedings were finished.
But an appeals court has now denied Apple’s emergency request to block the order. The court said it was “not persuaded” that blocking the order was appropriate after weighing Apple’s chances to succeed on appeal, whether Apple would be irreparably harmed, whether other parties would be hurt if the order is halted, and what supports the public interest.
Spotify, Kindle, and other big apps have quickly added options for web purchases
The rejection bodes poorly for Apple’s chance of overturning the order, which stems from a lawsuit by Epic Games. Epic sued Apple over its App Store restrictions back in 2020. Epic notched only a narrow win in the case, with the court ordering Apple to allow developers to communicate with their users about better pricing.
Then, in April, in a scathing ruling, the court said that Apple had repeatedly failed to comply. The judge then gave Apple a more explicit order about how the App Store must be opened up.
In the weeks since, major apps like Spotify and Kindle have taken advantage of the ruling by adding links in their apps to make purchases on the web. Fortnite has returned, too, offering an option between Apple’s in-app payment system and Epic’s own payment and rewards program. Epic CEO Tim Sweeney told The Verge this week that there’s currently a 60-40 split in usage between the two systems, with Apple’s still winning out.
“We are disappointed with the decision not to stay the district court’s order, and we’ll continue to argue our case during the appeals process,” says Apple spokesperson Olivia Dalton. “As we’ve said before, we strongly disagree with the district court’s opinion. Our goal is to ensure the App Store remains an incredible opportunity for developers and a safe and trusted experience for our users.”
]]>In 2021, a federal judge ruled that Apple had to loosen its grip, ever so slightly, on the App Store. On Wednesday, nearly four years later, that same judge found that Apple deliberately failed to do so and tried to hide its noncompliance in the process. In a furious opinion, Judge Yvonne Gonzalez Rogers said that she wouldn’t give Apple a second chance to get it right: instead, she’s demanding specific changes to the App Store, ripping away Apple’s grip after years of unsubstantial alterations in response.
The ruling describes a deliberate process by which Apple sized up how to comply with the court’s original order, only to choose an anticompetitive option “at every step.”
In its 2021 legal battle with Epic Games, Apple won most of the case. But the company walked away from the trial with a court order mandating that developers be allowed to include links and buttons within their apps that would direct users to purchase methods outside the App Store — also known as the “anti-steering injunction.” Perhaps as a reflection of how well Apple had fared in court, the injunction did not strictly define what Apple could or could not do: it was vague enough that it left open a loophole by which the company could continue to charge developers a fee on sales even when made over the web.
After the injunction came down, Apple began sizing up what changes it could implement that would “limit the ruling,” as one set of internal meeting notes say.
Apple decided to combine two bad options, the court found
The first — and the biggest — decision was whether Apple should take a commission at all. Apple considered multiple options: it could take no cut but restrict where links were placed, it could charge developers based on app downloads or another metric, or it could determine a new commission for web purchases and audit developers based on their sales.
Progress started and stopped on these deliberations as Apple appealed Gonzalez Rogers’ original ruling through the legal system. When it was finally clear that Apple would have to comply, the company homed in on its preferred option: cut its commission rate and audit.
Apple knew this was the worst option for developers, the judge writes in her opinion this week. Dropping all fees would “be very attractive to developers,” Apple believed, even if combined with heavy restrictions on how the web linking process would work. “Apple anticipated that most large developers and potentially many medium and small developers would offer link-out purchases to their users,” Gonzalez Rogers writes. The company expected that it would lose hundreds of millions to billions in revenue as a result.
By contrast, Apple believed its commission and audit approach would “only be attractive to the largest developers” at best, according to the court. It projected losing tens of millions in revenue if half of the 50 largest developers made the leap.
In the end, Apple decided to combine two different approaches — as the court saw it, “the most anticompetitive option.” Apple mixed the commission and audit approach with restrictions on where links can be placed.
Once it had settled on an approach, the company began meeting to determine what the commission should be. Gonzalez Rogers’ original order said Apple was welcome to charge a fee, but the company needed to provide a defensible explanation for the rate — Apple’s standard 30 percent fee was essentially based on nothing, she found.
Apple executives wanted ‘scary’ language to warn off users
The company bandied about different numbers. Some leaders wanted to see it come in at 20 percent. Luca Maestri, then chief financial officer, wanted to see it at 27 percent. And as they debated, there was still high-level dissent about charging a commission at all. “I have already explained my many issues with the commission concept,” App Store leader Phil Schiller wrote in an email. “Clearly I am not on team commission/fee.”
Eventually, Apple CEO Tim Cook made the decision, choosing the 27 percent commission. Apple knew the commission would be so high that external credit card processing fees would make the option unworkable for developers, the court says. And crucially, the court found the number was still based on nothing but Apple’s desire for profit. The company didn’t come up with an explanation of why its services were so valuable as to merit the fee.
From there, Apple began to nail down the specifics: How would outgoing links and buttons work? And what would happen when users tapped on them?
Apple realized that more prominent links would be more highly used, so it wanted to limit their placement. The company mocked up different designs for links. In one version, links would be included inside of buttons with rounded edges and colored backgrounds; in another, links would be presented in plain text. It ultimately decided to restrict links to plain text only.
Designers then went about mocking up what happens when the link is tapped. It considered multiple options: in one, there would be a small pop-up alerting users that they’re about to open their web browser; in another, a full-screen warning would appear with big text reading, “Are you sure you want to continue?”
“Apple sought to secure its illegal revenue stream from every angle.”
Apple chose to iterate on the full-screen option, with the goal of dissuading users from continuing on to the web. The pop up included a paragraph of text, and employees discussed using “scary” language to warn people off.
Rafael Onak, a user experience writing manager at Apple, instructed an employee to add the phrase “external website” to the screen because it “sounds scary, so execs will love it.” Another employee gave a suggestion on how to make the screen “even worse” by using the developer’s name, rather than the app name. “ooh – keep going,” another Apple employee responded in Slack.
Even Cook got in on the action. When he finally saw the screen for approval, he asked that another warning be added to state that Apple’s privacy and security promises would no longer apply out on the web.
In court, Apple tried to argue that the term “scary” didn’t actually mean it wanted the screen to scare people. “Scary,” it claimed, was a “term of art” — an industry term with a specialized meaning. In fact, the company claimed, “scary” meant “raising awareness and caution.” The court did not buy it, saying the argument strained “common sense.”
And there were more restrictions to come: Apple made choices to limit the text that developers could use on the links. It decided to prevent certain developers with reduced commission rates from using the new web and link rules. It prevented developers from using dynamic links that would keep users logged in, because the company wanted to create more friction.
Gonzalez Rogers looked at Apple’s continued decision to choose the worst option for developers and decided the company simply hadn’t cared about complying with her order. “In other words, Apple sought to secure its illegal revenue stream from every angle,” she wrote. Apple’s CEO was given the option between complying with the court’s order and choosing an unjustified App Store fee, the ruling says. “Cook chose poorly.”
The new ruling requires Apple to give developers seemingly unrestricted use of links and buttons for sales purposes. And the company is no longer allowed to charge a commission on purchases made over the web.
Apple spokesperson Olivia Dalton said the company disagreed with the court’s decision and would appeal.
]]>Ann Altman has filed a lawsuit against her brother, OpenAI CEO Sam Altman, alleging that he sexually abused her throughout childhood over a period of nearly a decade.
The rest of the Altman family immediately pushed back on the lawsuit, saying the allegations are “utterly untrue” and stem from “mental health challenges” that Ann has faced for years.
“Annie has made deeply hurtful and entirely untrue claims about our family, and especially Sam,” writes Sam, his mother, and his two brothers, in a statement that Sam released on X.
Ann’s lawsuit alleges that Sam abused her from 1997 through 2006, beginning when Ann was three and Sam was 12 and continuing until Sam was a legal adult. The lawsuit, filed in a federal court in Missouri, says that Ann suffered “severe emotional distress” and has been unable to live a “normal life” as a result of Sam’s alleged abuse.
An attorney for Ann described the Altman family’s statement as an attempt to “divert attention away from the harm that they caused.” The attorney, Ryan J. Mahoney, said that sexual abuse can cause “mental health outcomes such as, persistent PTSD, depression, and anxiety.” He also said of Ann specifically that there is “no evidence that her own mental health has contributed to her allegations.”
The Altman family’s statement alleges that Ann has made conspiratorial claims over the years about various family members while demanding money from them. The family members say they have offered financial support and asked her to receive medical help but that she “refuses conventional treatment.”
“This situation causes immense pain to our entire family,” the family statement says. The family says they have “chosen not to respond publicly” when Ann has made similar claims in the past, but that they “feel we have no choice but to address this” now that she has filed a lawsuit.