Kevin Nguyen

James D. Walsh’s excellent New York Magazine piece about college students cheating their way through school with ChatGPT has provoked a lot of education discourse, much of which reluctantly surrenders that AI is here and that there’s no way to stop people from using it. The takes have ranged from sheepishly accepting that reality to wholeheartedly embracing it — reimagining curriculum, the campus, the entirety of the liberal arts. But in Ted Gioia’s excellent newsletter The Honest Broker, he proposes a different solution. What if we just shut down cheating by making things analog?

In poet Nora Claire Miller’s short, moving essay, she draws a line from the very first screensaver (SCRNSAVE, 1983) to the tesseract in A Wrinkle in Time (Madeleine L’Engle, 1962) to her family’s flight during the Holocaust (Austria, 1938). I particularly loved this bit about taking apart her grandmother’s iMac:

We’re mostly DMing each other to say that the younger generation is cooked. At New York, James D. Walsh surveys the zoomers who are using AI to do all of their college homework — a trend that is obvious and no less alarming. Take the story of Wendy, for example: she used ChatGPT to write an essay arguing that the use of technology is hampering students’ ability to think. The irony is lost on her.

(Well, Fox Searchlight technically.) It’s been over twenty years since Jon Heder starred in one of the most unexpected indie film breakouts, and its success came from a savvy combination of word of mouth and a very online marketing campaign.

Director Sean Baker started the evening with zero Oscars under his belt, and left with four — for original screenplay, film editing, director, and best picture. (Not to mention Mikey Madison’s win for best actress.) Last fall, The Verge spoke with Baker about how he made Anora’s scant $6 million budget look like a film made for $50 million.