Culture encompasses books, movies, television, music, video games, internet memes, and thousands of branches of art. And sure, culture includes the latest entertainment news too. At The Verge, we construct entry points both into the mainstream and the niche, the tentpoles and the hidden gems, to help make the most notable and discussed parts of the cultural conversation understandable and accessible to everyone.
The Panama Playlists claims to show the favorite tracks of some of the biggest names in tech, media, and politics.
Right-wing influencers try blaming Democrats for hiding the Epstein files — and DC Republicans follow suit.
Actor Sydney Sweeney is currently embroiled in a days-long “discourse” cycle about a campaign she shot with American Eagle. The ad — and whether it’s a eugenics dog whistle — is one thing. But I liked this Atlantic piece that zoomed out and put the outrage and online content cycle into perspective. Chat, is discourse cooked?
[theatlantic.com]
Getting copied is devastating — but not necessarily illegal. Who owns what in an era of unprecedented mass consumption?
Or would you? The weird little toys are a nightmare to buy so we took matters into our own hands.
We’ve talked before about the funhouse-mirror-alternative-reality that Trump (and Musk) have built. JP Brammer, who watches much more YouTube than I do, notes something weird is going on in content land — it seems Donald Trump has lost control of the plot. NBC’s Brandy Zadrozny, writing from a more anxious angle, seems to agree. Content has now outpaced reality. I guess we’re going to find out by how much.
[johnpaulbrammer.substack.com]
What foundational internet words have to do with 4chan.
The Mamdani affair exposes the paper’s weaknesses. Again.
In our second annual trend forecast, The Verge staff weighs in on Labubus, tariffs, The Hague, and AI slop.
Drummer Greg Saunier explains the moral calculus behind leaving the biggest streaming platform.
Labubus — those kind of scary little dolls with teeth that people are obsessed with — are hard to come by these days. It’s no surprise that the knock off industry is filling the gap; what is funny is that the fake dolls (“Lafufus”) are popular, too. For some Labubu owners, the authenticity of their doll doesn’t even matter. It’s part of the fandom experience all the same.
Kyle Chayka, who wrote for this website about the “airspace” aesthetic created by social media, is now looking into how LLM models affect creativity. He suggests that if Silicon Valley once homogenized decor — and, to some degree, created beige influencers — it may now be making LLM users less original, too.
[newyorker.com]
No? Well, let Rusty Foster fix that for you. I promise the quick progression of headlines in this newsletter will leave you feeling, if not concussed, then certainly different.
[todayintabs.com]
With their new spinoff podcast, the Mission to Zyxx team is building a bigger universe of improvised space adventures.
The company that owns the biggest sewing pattern brands — Simplicity, Butterick, McCalls, and Vogue — has been sold to a liquidator, per the Craft Industry Alliance. That’s troubling news for those of us that sew and prefer physical patterns, but there’s also a concerning knock-on effect: the company owns the last large-scale tissue printers in the country.
A few years ago I wrote about the painstaking efforts to preserve sewing patterns and fashion history. I suspect that work is now even more urgent.
If you’re a celebrity promoting a new movie or your latest album, you used to follow a standard playbook of late night shows, magazine cover stories, or daytime talk shows. Now you have to do all that and eat chicken wings with YouTubers or give your hottest take while riding the subway. The New Media Circuit is a powerful driver of views, likes, and comments — but does it actually sell anything?
[vulture.com]
The Atlantic has a fascinating deep dive into khipus — long cords that the Inca tied knots into to preserve information. Few know how to read the knots, which are hundreds of years old and fragile. But researchers are slowly learning to understand them:
A few years ago, Clindaniel trained an AI system to analyze the colors of 37,645 cords on 629 khipus, as well as the colors of the cords that surround them, which may indicate context and genre. Clindaniel’s program found that rare khipu colors—red, certain blues, orange, yellow, certain grays, greens—were all clustered together, indicating that they were probably used in highly similar contexts. Based on Spanish chronicles and other clues, Clindaniel suggests that this context might have involved religion or Inca royalty.
[theatlantic.com]
IEEE Spectrum wrote about running an old-school bulletin-board system (BBS) from a Raspberry Pi 3 over LoRa, using the off-grid mesh-networking capabilities of Meshtastic, and it sounds like a very fun, nerdy project.
I didn’t have internet access early enough to get in on the BBS craze at its height. Perhaps this is my second chance?
In a 1,000 person survey of 20–29 year olds by a major Japanese bank, nearly 20 percent admitted: they once spent so much money on in-game purchases that they couldn’t cover living expenses.
We — and regulators — have long known these games can potentially be addictive, even if you’re aware of the risk. There are dozens of billion-dollar games as a result; now, an entire generation may have “gambled my rent away on cute digital characters” as a shared cultural touchstone.
Google recently showed off “a cinematic vision so surreal, so ahead of its time, that it proved impossible to produce.” Giraffes on Horseback Salad was originally conceived by Salvador Dalí for the Marx Brothers, but was too weird (and not funny enough) to be actually made. Using Veo 2 and Imagen 3, an ad agency and a museum were “finally capable of transforming surrealism into film.” (Unlike... Luis Buñuel? David Lynch?)
The result, so far, is just this trailer. It’s an eye-searing, sloppy montage of what this ArtNet breakdown by critic Ben Davis calls “chintzy sub-sub-Surrealist imagery has little to do with Dali’s original vision.”
Kottke directed me toward a website posing a question I have never, ever asked myself: which of two chickens is more frolicsome? Which is more optimistic? More aberrant? Creator Erika Hall will take suggestions for new adjectives, too.
[clickens.chicken.pics]
Whatever the opposite of coolhunting is, Max Read’s analytical prediction of an accursed new internet trend does it:
The high-alpha nature of committed, political “smoking is actually good” arguments, combined with existing coalitions for developing annoyance at people with public-health masters degrees into ideological position, is likely to create a solid pro-smoking bloc, especially as we enter summer and face down a fertile period for stupid discourse.
[maxread.substack.com]
In the new season of the HBO show, Jason Isaacs’ character sulks around the luxury resort in a shirt from his alma mater. One scene in particular (warning: spoilers!) has become something of a meme. Duke says it didn’t approve of its logo being so prominent, telling Bloomberg that the imagery is “troubling” and “goes too far.”
[bloomberg.com]
The New York Times reported in 2023 that Keita Takahashi gets no royalties from his quirky roll-up-the-world’s-objects-into-a-blob game series — which wouldn’t terribly surprise me. Royalties aren’t common in an industry that doesn’t treat workers well in general. But I imagine he’s getting something from cute licensed products with his name on them, right? Right?
The desk mat is $28, and I just bought one for my wife. (We bonded over Katamari in our dating years; Don’t tell her, it’s a surprise!)
Ahh MySpace. A website from simpler times when the worst you had to worry about from social media was falling out with the friend that didn’t make your Top 8. It has since puttered along morphing into something completely unrecognizable...until now. Game designer Ste Curran has created SkySpace, a website that’ll take your Bluesky profile and make it into a MySpace page complete with a customizable background, a Top 8 you can set, and even a music plugin.
After hearing an AI facsimile of his voice, the famed Simpsons voice actor said it “felt like what it was, which was just a vocal version of printed text” in this New York Times video.
Voice acting requires more than talking, as he demonstrates. But he figures that as AI improves, people will “listen to and enjoy and watch what they like, and they’re not gonna care whether AI generated it...”
The New York Times reunited with the subjects of a 2022 story about a group of teenagers who had traded iPhones for flip phones and sworn off social media. Two years later, some of them have defected as they transitioned to college — but the movement seems to be growing.
[nytimes.com]
Would you buy a designer handbag from Walmart? Through a partnership with Rebag, shoppers can buy secondhand luxury accessories like Louis Vuitton wallets and Chanel shoulder bags from Walmart’s site.
The move may be in part a response to Hermés Birkin lookalikes — “The Walmart Birkin” — that went viral earlier this month and quickly sold out.
If the phrase “Hawk Tuah girl” means nothing to you, I urge you to continue in blissful ignorance. If “Hawk Tuah shitcoin scam” resonates, you’ll enjoy Katie Baker’s rundown of what, exactly, happened.
[www.theringer.com]
Not even authority, just the signifiers of authority
We didn’t all flock to a new platform or build on a thrilling new protocol. We went everywhere, and did everything, all at once.
The internet is forever. Well, it was supposed to be. What happens when websites start to vanish at random?
An extremely beige influencer’s allegations she was imitated by another, also extremely beige, influencer have cleared an early legal hurdle:
The judge apparently found plausible Gifford’s allegation that Sheil imitated her “outfits, poses, hairstyles, makeup, and voice” in a way that enabled Gifford’s followers to identify Gifford as the person whose identity was appropriated.
Be careful out there, beigefluencers.
[Technology & Marketing Law Blog]
The Onion’s parent company issues some rousing praise of a judge blocking its purchase of Infowars:
The experience was long and punishing for all involved, and the final outcome is inconclusive: The InfoWars assets remain in limbo. Everything is now in doubt and everyone is worse off than before.
In short, it is the kind of world we at Global Tetrahedron have always envisioned.
[The Onion]
The shooter had a message, and the internet was happy to spread it.
